In 2005, an American artist returns to Seoul, South Korea where she was born and given up for adoption almost 30 years ago. Interlaced with various art performances and interventions, text from her adoption documents, and national television search for her birth family, the video investigates the process by which the artist was adopted, which was pointedly motivated by Christian savior mentality. Through a self-reflexive video “documentary” and in vulnerable performances, she struggles with issues of belonging and transnational identity. MISSING is a performative autobiographical piece which addresses the problematic transmissions in another language and the rupture between yearning and reality.
Kino
놓침 (missing), HD, single channel video, 2006
<a href=”https://katehersrhee.com/project/run-towards-my-family/” target=”_blank” rel=”noopener”>Run Towards My Family </a>combines endurance running, performance art, and personal history to explore identity, diaspora, and cultural dislocation.
2023 – work-in-progress
Run Towards My Family, 2024 – present,
Run Towards My Family blends endurance running, performance art, and political action. I run full marathons in the countries where Korean adoptees were sent, wearing a custom sports hanbok inspired by each nation’s flag. It’s both an artistic ritual and a form of protest, calling attention to the lives fractured by adoption and the need for justice and truth – performance art, birth family search, and adoptee activism rolled into one.